# | Year | Text | Linked Data |
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1 | 1933 |
Yuan, Muzhi. Zhongguo ju zuo jia ji qi zuo pin. 中國劇作家及其作品 [Chinese Playwrights and Their Works]. Er schreibt : Ding Xilin's witticisms and his philosophy of relations between sexes are greatly reminiscent of the aestheticism of Oscar Wilde. His plays are all similarly set in beautiful drawing rooms, his characters chewing on tobacco pipes as they sit sunk in comfortable sofas. We call upon the author to move from aestheticism to materialism, out of the Salon and into society at larg. |
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2 | 1947-1974 | Ding Xilin was the only playwright of the modern period who concentrated solely on writing comedy. His genesis as a dramatist can be credited in large measure to the inspiration he drew from the British and Irish writers whose work he had become familiar with while a student in England between 1914 and 1920. Ding once commented that his works ought to be regarded more as translations of foreign plays than as original creations. In the work of Ding and Oscar Wilde, a range of subsidiary themes, including relations between the sexes, as well as marriage and th4e place of women in society generally, and relations between one generation and another, are embedded in one fundamental theme : morality. |
# | Year | Bibliographical Data | Type / Abbreviation | Linked Data |
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1 | 1941 |
Modern Chinese plays. Ed. and transl. by Ku Tsong-nee [Gu Zhongyi]. (Shanghai : Commercial Press, 1941). [Enthält] : Tian, Han. One evening in Soochow. = Suzhou ye hua (1929). 苏州夜话 Yu Shangyuan. The mutiny. = Bing bian (1925). 兵變 Ding, Xilin. The oppressed. = Ya po (1926). 压迫 Xiong, Foxi. The drunkard. = Zui le (1928). Tian, Han. A West lake tragedy. = Hu shang de bi ju (1928). Xiong, Foxi. The artist. = Yi shu jia (1928). 藝術家 |
Publication / KuT1 |
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2 | 1983 |
Twentieth-century Chinese drama : an anthology. Ed. by Edward M. Gunn. (Bloomington, Ind. : Indiana University Press, 1983). (Chinese literature in transition). [Enthält] : Hu, Shi. The greatest event in life. = Zhong shen da shi (1919). Hong, Shen. Yama Chao = Zhao Yanwang (1922). Ding Xilin. Oppression. = Ya po (1956). Ouyang, Yujian. P'an Chin-lien. = Pan Jinlian (1928). Xia, Yan. Under Shanghai eaves. = Shanghai wu yan xia (1937). Chen, Baichen. Men and women in wild times. = Lusan shi nan nü (1939). Li, Jianwu. Springtime. = Qing chun (1944). Yang, Jiang. Windswept blossoms. = Feng xu (1945-1946). Yang, Lüfang. Cuckoo sings again. = Bu gu niao you jiao le (1957). Tian, Han. Kuang Han-ch'ing = Guang Hanqing (1958-1961). Wu, Han. Hai Jui dismissed from office. = Hai Rui ba guan (1961). Weng, Ouhong ; A, Jia. The red lantern. = Hong deng ji (1964). Zong, Fuxian. In a land of silence. = Yu wu sheng chu (1978). Zhou, Weibo. The artillery commander's son. Sha, Yexin. If I were real. = Jia ru wo shi zhen de (1979). Yang, Mu. Wu feng. =Wu feng (1979). |
Publication / Gunn2 |
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3 | 2009 |
The Columbia anthology of modern Chinese drama. Ed. by Xiaomei Chen. (New York, N.Y. : Columbia University Press, 2009). [Enthält] : Hu, Shi. The greatest event in life. = Zhong shen da shi (1919). Hong, Shen. Ya ma chao. = Zhao yan wang (1922). Tian, Han. The night a tiger was captured. = Huo hu zhi yi ye (1921). Ouyang, Yuqian. After returning home. = Hui jia zhi hou (1922). Ding, Xilin. The wasp. = Yi zhi ma feng (1923). Ding, Xilin. Oppression. = Ya po (1926). Bai, Wei. Breaking out of the pagoda. = Da chu you ling ta (1928). Cao, Yu. Thunderstorm. = Lei yu (1933). Li, Jianwu. It's only spring. = Zhe bu guo shi chun tian (1934). Xia, Yan. Under Shanghai eaves. = Shanghai wu yan xia (1937). Wu, Zuguang. Returning from a stormy night. = Feng xue ye gui ren (1942).l Lao, She. Teahouse. = Cha guan (1958). Tian, Han. Guan Hanqing. = Guan Hanqing (1958-1961). Chen, Yun. The young generation. = Nian qing de yi dai (1963). Weng, Ouhong ; A, Jia. The red lantern. = Hong deng ji (1964). Gao, Xingjian. Bus stop. = Che zhan (1983). Li, Longyun. Man and the wilderness. = Huang yuan yu ren (1988). Yang, Limin. Geologists. = Di zhi shi (1995). Shen, Lin ; Huang Jisu, Zhang, Guangtian. Che Guevara. = Qie Gewala (2000). Lai, Shengchuan. Secret love in peach blossom land. = An lian tao hua yuan (1986). Chan, Anthony. Metamorphosis in the moonlight under the stars. = Xing guang xia de tui bian (1986). Chan, Joanna. Grown ourselves with roses. = Hua jin gao lou (1988). |
Publication / ChenXi1 |
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# | Year | Bibliographical Data | Type / Abbreviation | Linked Data |
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1 | 2010 | Herd, R.A. ; Zhang, Jian. Wildean echoes in the plays of Ding Xilin. In : Modern Chinese literature and culture ; vol. 22, no 1 (2010). | Publication / WilO9 |