HomeChronology EntriesDocumentsPeopleLogin

“Sartre's encounter with China : discovery and reconstruction of the human paradigm in new-era Chinese literature” (Publication, 2007)

Year

2007

Text

Wu, Gefei. Sartre's encounter with China : discovery and reconstruction of the human paradigm in new-era Chinese literature. In : Primerjalna knjizevnost, Ljubljana ; vol. 30, no 1 (2007). (Sar100)

Type

Publication

Mentioned People (1)

Sartre, Jean-Paul  (Paris 1905-1980 Paris) : Schriftsteller, Philosoph, Dramatiker, Publizist
[Biographische Einträge siehe unter Literatur]

Subjects

Literature : Occident : France / References / Sources

Chronology Entries (3)

# Year Text Linked Data
1 1980- Wu, Gefei. Sartre's encounter with China : discovery and reconstruction of the human paradigm in new-era Chinese literature [ID D24331].
The influence of existentialism is overwhelmingly that of Jean-Paul Sartre in the New Era Chinese literature because Sartrean existentialism in China has long been considered a mix of all the schools of existentialism that have ever been produced in the past several decades, while at the same time he developed an existantialist notion of his own. Sartre is a great philosopher and literary master, as well a famous social activist : he not only produced a number of novels, dramas, and critical literary works advocating his existentialist thought and theory, but also actively participated in various social and political struggles for national freedom and independence. He is a committed writer in real sense. All of the attributes mentioned above made Sartre's theoretical and social reputation exceed any other existentialists introduced to China.
As a new kind of humanism, Sartre's existential philosophy as well as his literary works greatly contributed to the discovery and deepening of the human paradigm in New Era Chinese literature.
The essential concept of Sartrean existentialism is 'freedom' based on the idea of pure antitheism. It advocates the individual's escape from the dungeon of traditional values and realization of the self's essence by making free choices. Such an idea easily produces a resonance among young people, especially young intellectuals. Second, Sartre's description of isolation, absurdity, and self-consciousness is in accordance with those young writers' own experiences of reality and life. Because there is no God in the world and the world is absurd, the self is the only thing that can be trusted and relied upon.
The Sartrean influence on New Era Chinese literature is mainly an ideological one. It is a miracle that Sartrean ideology coexisted with Chinese Marxism. The reason is that Chinese writers and critics succeeded in reconciling the two different ideologies and unified them in literature. Sartrean existentialism is generally considered not to have been in contradiction with the Marxism that dominated Chinese literary writing for more than half a century because Marxism considers the human being as a summation of all his social relationships, whereas Sartre holds that human existence consists of a series of actions that cannot do without the others. Sartre also believes human existence is one that exists in a set of social relationships. As a matter of fact, existentialist philosophy is literally that of interpersonal relationships to a large extend. Moreover, one cannot equate the influence of Sartrean existentialist philosophy on literature with that of Nietzsche, Kierkegaard, Heidegger, Kafka, and Camus. Their philosophies in China are generally considered pessimistic because they advocated isolation, desperation, and death. In contrast, Sartre was considered quite the opposite because he believed his existentialist philosophy "is not in the least that of plunging men into despair... it is not a kind of description of human pessimism, because it has entrusted human being's destiny into one's own hands, therefore no theory was more optimistic than it".
Sartrean existentialist philosophy and literature encouraged the discovery, deepening, and reconstruction of human paradigms. These gave birth to a new kind of humanism in New Era Chinese literature, mainly represented by modern intellectuals' suspicion and negation of existing moral principles, the pursuit and transcendence of existential essence, situations, and values. The cult of nothingness was at its core in order to establish, in a world of nothingness that breaks everything, a real and meaningful self, an independent and individual value orientation of high spirituality, which constantly transcends the self, as well as a moral goal helping to realize one's particular expectations.
2 1984 Chen, Rong. Yang Yueyue he Shate zhi yan jiu : Shen Rong xiao shuo xuan [ID D24332].
Chen Rong, via the narrator, states that "(a) Sartre was a unique writer in the world with an extraordinary talent. He was also a political activist and fighter enjoying worldwide popularity, and he had a friendly attitude towards China and Chinese revolutions. (b) Sartre proposed such notions as 'the precedence of existence over essence', 'freedom of choice', and 'bearing responsibilities', which are correct at least in two aspects. First, it is against theism. That is, it is not God that created man according to His own will ; rather, it is man that has made himself by making free choices. Second, it is against fatalism. A human being is not a slave of destiny ; he is entitled to project and create his own future according to his own purpose. Take, for instance, the concept of 'what it is like to be a writer'. The title of writer itself is a given one, but 'the definition of 'what it is like to be a writer' is not the result of God's will and destiny's arrangement. In effect, it is derived from your personal dedication to and involvement in the world and life according to your own will. (c) Although Sartre is not a proletarian revolutionary philosopher, we cannot simply and rudely denounce Sartre's philosophy as a 'capitalist instrument'."
3 1999 Wu, Xiuming. Wen xue zhuan xing zhong de san ge 'zhu yi' ji qi ji ben liu bian. In : Journal of Hainan Teacher's College ; no 2 (1999). [Three '-isms' and their fundamental development and changes in the literary transformation].
Er schreibt : "[Young writers] succeeded in borrowing ideological content from modernism, rather than peeling off its techniques alone and applying these to their writings. It indicates that a group of young Chinese writers have risen and become mature in the circle of elite literature. They learned from Sartre, Nietzsche, Bergson, Freud, and Camus to nurture their spirits, and they werde concerned about one set of question : "Who am I ?" "Where do I come from, and where shall I go ?" "What should I do and what can I do in this world ?" It was the issue that Western modernism was bitterly obsessed with."

Cited by (1)

# Year Bibliographical Data Type / Abbreviation Linked Data
1 2000- Asien-Orient-Institut Universität Zürich Organisation / AOI
  • Cited by: Huppertz, Josefine ; Köster, Hermann. Kleine China-Beiträge. (St. Augustin : Selbstverlag, 1979). [Hermann Köster zum 75. Geburtstag].

    [Enthält : Ostasieneise von Wilhelm Schmidt 1935 von Josefine Huppertz ; Konfuzianismus von Xunzi von Hermann Köster]. (Huppe1, Published)