“European influences on Chinese art, sixteenth to eighteenth centuries” (Publication, 1991)
Year
1991
Text
Kao, Mayching. European influences on Chinese art, sixteenth to eighteenth centuries. In : China and Europe : images and influences in sixteenth to eighteenth centuries. Ed. by Thomas H.C. Lee. (Hong Kong : Chinese University Press, 1991). (Kao2)
Type
Publication
Contributors (1)
Kao, Mayching Margaret
(1943-) : Professor of Fine Arts and the Director of the Art Museum, The Chinese University of Hong Kong.
Subjects
Art : General
/
References / Sources
Chronology Entries (7)
| # | Year | Text | Linked Data |
|---|---|---|---|
| 1 | 1583 | Michele Ruggieri und Matteo Ricci errichten die erste Missionsstation in Zhaoqing (Guangdong). Ruggierti baut die Church of Immaculate Conception mit einem Gemälde der Madonna. |
|
| 2 | 1601 |
Audienz von Matteo Ricci mit Kaiser Wanli. Er schreibt : "Your Majesty, I herewith humbly present before your Royal presence one portrait of our Heavenly Lord, two portraits of our Holy Mother, one copy of the Bible, one cross inlaid with pearls, two clocks, one copy of the World atlas, and one clavichord." |
|
| 3 | 1681-1688 | Wu Li lebt in Macao. Er wird als Jesuit getauft und zum Priester geweiht. |
|
| 4 | 1689-1718 | Wu Li ist Missionar in Jiangsu tätig. |
|
| 5 | 1735 |
Nian, Xiyao. Shi xue jing yun [ID D39183] Nian mentioned in his introduction that the treatise was prepared with the specific intention of aiding Chinese artists in rendering buildings and objects accurately in three-dimensional space. It is the earliest text in China to devote serious attention to one major aspect of European artistic principles and technique. |
|
| 6 | 1736-1759 | Giuseppe Castiglione malt die Albums Inauguration portraits of emperor Qianlong, the empress and the eleven imperial consorts (1736), Ten prized steeds (1743, 1748), Ayuxi on horseback attacking with a lance (1755), Machang chasing the enemy (1759). |
|
| 7 | 1753 ca. |
Zou, Yigui. Xiao shan hua pu [ID D39184]. Zou schreibt : "The Westerners are skilled in geometry. Thus when they depict light and shade and distance they are precise to the last detail. All the human figures, houses and trees in their paintings have shadows trailing behind them. The colours and brushes they use are completely different from those used in China. When they paint a scene, the perspective is presented as from broad to narrow, calculated mathematically. Their mural paintings depicted palaces look so real that one is almost tempted to walk into them." |
|
Sources (1)
| # | Year | Bibliographical Data | Type / Abbreviation | Linked Data |
|---|---|---|---|---|
| 1 | 1735 | Nian, Xiyao. Shi xue jing yun. (China : [s.n.], 1735). Übersetzung von Pozzo, Andrea. Perspectiva pictorum et architectorum. (Roma : Joannis Jacobi Komarek, 1693-1700). | Publication / Nian1 |
Cited by (1)
| # | Year | Bibliographical Data | Type / Abbreviation | Linked Data |
|---|---|---|---|---|
| 1 | 2000- | Asien-Orient-Institut Universität Zürich | Organisation / AOI |
|