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Binyon, Laurence

(Lancaster 1869-1943 Reading, Berkshire) : Konservator British Museum London ; Professor Harvard-University ; Dichter ; Dramatiker ; Kunstwissenschaftler

Name Alternative(s)

Binyon, Robert Laurence

Subjects

Art : General / Index of Names : Occident / Literature : Occident : Great Britain

Chronology Entries (5)

# Year Text Linked Data
1 1895 Laurence Binyon wird Kurator des Department of Prints and Drawings des British Museum.
2 1903 Laurence Binyon beginnt chinesische Malerei zu studieren.
  • Document: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014).
    [Enthält] :
    Part I: Blending Chinese and Foreign Cultures
    Chapter One ................................................................................................. 2
    Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura
    Aaron M. Rio
    Chapter Two .............................................................................................. 23
    Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting
    Maria Kar-wing Mok
    Chapter Three ............................................................................................ 44
    "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945
    Clare Taylor
    Chapter Four .............................................................................................. 65
    "Chinese" Paintings by Zdenek Sklenar
    Lucie Olivova
    Part II: Envisioning Chinese Landscape Art
    Chapter Five .............................................................................................. 88
    Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting
    Michelle Ying-ling Huang
    Chapter Six .............................................................................................. 115
    In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art
    Minna Törmä
    Chapter Seven .......................................................................................... 130
    The Return of the Silent Traveller
    Mark Haywood
    Part III: Conceptualising Chinese Art through Display
    Chapter Eight ........................................................................................... 154
    Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture
    Lenore Metrick-Chen
    Chapter Nine ........................................................................................... 179
    Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador
    Michaela Pejcochova
    Chapter Ten ............................................................................................. 200
    The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America
    Noelle Giuffrida
    Part IV: Positioning Contemporary
    Chinese Artists in the Globe
    Chapter Eleven ........................................................................................ 228
    Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities
    Diana Yeh
    Chapter Twelve ....................................................................................... 255
    The Reception of Xing Danwen’s Lens-based Art Across Cultures
    Silvia Fok
    Chapter Thirteen ...................................................................................... 278
    Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions
    Elizabeth Kim S. 89. (Huang1, Publication)
3 1909.2 Ezra Pound met Laurence Binyon. He attended his lectures on 'Art and thought in East and West' and frequently visited him at the British Museum with Dorothy Shakespear, who often copied Chinese paintings while Binyon and Pound talked.
Pound may have heard about Wang Wei in the Gallery of Prints and Drawings, where are two famous Chinese landscape paintings, one attributed to Wang Wei. In Painting in the Far East, Binyon describes Wang Wei as the 'founder of the southern school, who was even more famous for his poetry than for his painting'. Even if Pound hadn't read the book, he would have gotten the information from Binyon when viewing the paintings.
  • Document: Qian, Zhaoming. Ezra Pound's encounter with Wang Wei : toward the 'ideogrammic method' of The cantos. In : ScholarWorks@UNO / University of New Orleans (1993). [Enthält] : A typescript of Pound's drafts for six poems of Wang Wei in Fenollosa Notebook 15.
    http://www.jstor.org/stable/pdfplus/441687.pdf?acceptTC=true. (Pou48, Publication)
  • Document: Ezra Pound & China. Ed. by Zhaoming Qian. (Ann Arbor : The University of Michigan Press, 2003). S. 15-16. (Pou32, Publication)
  • Person: Pound, Ezra
4 1909 London Times ; 11 Febr. 1909.
"Mr. Laurence Binyon will give a course of four lectures on Art and Though in East and West, in the small theatre of the Albert Hall, Kensington, at 5:30 on Wednesday afternoons, March 10, 17, 24, and 31."
5 1933 Laurence Binyon opened the exhibition of Vojetch Chytil in London with a speech : the importance of art as the key to understand a distant foreign country, pointing out that one could now read translations of a selection of books on Chinese art in the English language. Summary in : East London observer ; 22 May (1933).

Bibliography (8)

# Year Bibliographical Data Type / Abbreviation Linked Data
1 1908 Binyon, Laurence. Painting in the Far East : an introduction to the history of pictorial art in Asia, especially China and Japan. (London : E. Arnold, 1908). Publication / Biny1
2 1910 Binyon, Laurence. Guide to an exhibition of Chinese and Japanese paintings (fourth to nineteenth century A.D.) in the Print and Drawing Gallery. (London : British Museum ; printed by order of the Trustees, 1910). Publication / Byn2
3 1911 Binyon, Laurence. The flight of the dragon; an essay on the theory and practice of art in China and Japan, based on original sources. (London : J. Murray, 1911). Publication / Biny2
4 1913 Binyon, Laurence. Ideas of design in East and West. In : Atlantic monthly ; Nov. (1913). Publication / Biny5
  • Cited by: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014).
    [Enthält] :
    Part I: Blending Chinese and Foreign Cultures
    Chapter One ................................................................................................. 2
    Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura
    Aaron M. Rio
    Chapter Two .............................................................................................. 23
    Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting
    Maria Kar-wing Mok
    Chapter Three ............................................................................................ 44
    "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945
    Clare Taylor
    Chapter Four .............................................................................................. 65
    "Chinese" Paintings by Zdenek Sklenar
    Lucie Olivova
    Part II: Envisioning Chinese Landscape Art
    Chapter Five .............................................................................................. 88
    Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting
    Michelle Ying-ling Huang
    Chapter Six .............................................................................................. 115
    In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art
    Minna Törmä
    Chapter Seven .......................................................................................... 130
    The Return of the Silent Traveller
    Mark Haywood
    Part III: Conceptualising Chinese Art through Display
    Chapter Eight ........................................................................................... 154
    Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture
    Lenore Metrick-Chen
    Chapter Nine ........................................................................................... 179
    Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador
    Michaela Pejcochova
    Chapter Ten ............................................................................................. 200
    The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America
    Noelle Giuffrida
    Part IV: Positioning Contemporary
    Chinese Artists in the Globe
    Chapter Eleven ........................................................................................ 228
    Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities
    Diana Yeh
    Chapter Twelve ....................................................................................... 255
    The Reception of Xing Danwen’s Lens-based Art Across Cultures
    Silvia Fok
    Chapter Thirteen ...................................................................................... 278
    Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions
    Elizabeth Kim (Huang1, Published)
5 1916 Binyon, Laurence. Ma Yüan’s landscape roll. (New York, N.Y. DeVinne Press, 1916). Publication / Biny6
  • Cited by: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014).
    [Enthält] :
    Part I: Blending Chinese and Foreign Cultures
    Chapter One ................................................................................................. 2
    Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura
    Aaron M. Rio
    Chapter Two .............................................................................................. 23
    Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting
    Maria Kar-wing Mok
    Chapter Three ............................................................................................ 44
    "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945
    Clare Taylor
    Chapter Four .............................................................................................. 65
    "Chinese" Paintings by Zdenek Sklenar
    Lucie Olivova
    Part II: Envisioning Chinese Landscape Art
    Chapter Five .............................................................................................. 88
    Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting
    Michelle Ying-ling Huang
    Chapter Six .............................................................................................. 115
    In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art
    Minna Törmä
    Chapter Seven .......................................................................................... 130
    The Return of the Silent Traveller
    Mark Haywood
    Part III: Conceptualising Chinese Art through Display
    Chapter Eight ........................................................................................... 154
    Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture
    Lenore Metrick-Chen
    Chapter Nine ........................................................................................... 179
    Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador
    Michaela Pejcochova
    Chapter Ten ............................................................................................. 200
    The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America
    Noelle Giuffrida
    Part IV: Positioning Contemporary
    Chinese Artists in the Globe
    Chapter Eleven ........................................................................................ 228
    Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities
    Diana Yeh
    Chapter Twelve ....................................................................................... 255
    The Reception of Xing Danwen’s Lens-based Art Across Cultures
    Silvia Fok
    Chapter Thirteen ...................................................................................... 278
    Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions
    Elizabeth Kim (Huang1, Published)
  • Person: Ma, Yuan (2)
6 1935-1936 Binyon, Laurence. Catalogue of the international exhibition of Chinese art, 1935-6. (London : Royal Academy of Arts, 1935-1936). Publication / Biny4
7 1935 Binyon, Laurence. The spirit of man in Asian art. (Cambridge Mass. : Harvard University Press, 1935). (Charles Eliot Norton lectures 1933-34). Publication / Biny7
8 1936 Binyon, Laurence. Chinese art and Buddhism. (London : H. Milford, 1936). Publication / Biny3