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Ma, Yuan (2)

(1160-1225) : Maler

Subjects

Art : Painting and Calligraphy / Index of Names : China

Secondary Literature (1)

# Year Bibliographical Data Type / Abbreviation Linked Data
1 1916 Binyon, Laurence. Ma Yüan’s landscape roll. (New York, N.Y. DeVinne Press, 1916). Publication / Biny6
  • Cited by: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014).
    [Enthält] :
    Part I: Blending Chinese and Foreign Cultures
    Chapter One ................................................................................................. 2
    Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura
    Aaron M. Rio
    Chapter Two .............................................................................................. 23
    Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting
    Maria Kar-wing Mok
    Chapter Three ............................................................................................ 44
    "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945
    Clare Taylor
    Chapter Four .............................................................................................. 65
    "Chinese" Paintings by Zdenek Sklenar
    Lucie Olivova
    Part II: Envisioning Chinese Landscape Art
    Chapter Five .............................................................................................. 88
    Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting
    Michelle Ying-ling Huang
    Chapter Six .............................................................................................. 115
    In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art
    Minna Törmä
    Chapter Seven .......................................................................................... 130
    The Return of the Silent Traveller
    Mark Haywood
    Part III: Conceptualising Chinese Art through Display
    Chapter Eight ........................................................................................... 154
    Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture
    Lenore Metrick-Chen
    Chapter Nine ........................................................................................... 179
    Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador
    Michaela Pejcochova
    Chapter Ten ............................................................................................. 200
    The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America
    Noelle Giuffrida
    Part IV: Positioning Contemporary
    Chinese Artists in the Globe
    Chapter Eleven ........................................................................................ 228
    Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities
    Diana Yeh
    Chapter Twelve ....................................................................................... 255
    The Reception of Xing Danwen’s Lens-based Art Across Cultures
    Silvia Fok
    Chapter Thirteen ...................................................................................... 278
    Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions
    Elizabeth Kim (Huang1, Published)
  • Person: Binyon, Laurence