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Chronology Entry

Year

1982

Text

Aufführung von The tempest von William Shakespeare in der Übersetzung von Zhu Shenghao durch die Zhong yang xi ju xue yuan (Central Academy of Drama) unter der Regie von Tsai Chin.
Tsai Chin schreibt : The play has similarities with many Beijing operas and provided me an opportunity to experiment with synthesizing the two forms. Tragic and comic scenes juxtapose in the play’s structure. Miranda and Ferdinand conform to the Chinese ideals of love and marriage : purity, chastity, and parental consent with celestial blessing. A Chinese audience could also easily identify with this story of calamity, injustice, and revenge. Moreover, the theme of the play was especially topical, concerning as it does a lesson in forgiveness, which mirrored the attitude adopted by the Chinese people towards their former persecutors during the Cultural revolution.

Mentioned People (3)

Shakespeare, William  (Stratford-upon-Avon 1564-1616 Stratford-upon-Avon) : Dramatiker, Dichter

Zhou, Caiqin  (Shanghai 1936-) : Schauspielerin, Regisseurin

Zhu, Shenghao  (Jiaxing, Zhejiang 1912-1944) : Übersetzer

Subjects

Literature : Occident : Great Britain

Documents (2)

# Year Bibliographical Data Type / Abbreviation Linked Data
1 2003 Li, Ruru. Shashibiya : staging Shakespeare in China. (Hong Kong : Hong Kong University Press, 2003). S. 235. Publication / Shak8
  • Source: [Shakespeare, William]. Hamuleite. Shashibiya zhu ; Tian Han yi. (Shanghai : Zhong hua shu ju, 1922). (Shao nian Zhongguo xue hui cong shu. Sha weng jie zuo ji ; 1). Übersetzung von Shakespeare, William. The tragedy of Hamlet, Prince of Denmark. (London : Nicholas Ling and John Trundell, 1603). [Die ersten drei Szenen erscheinen in Shao nian Zhongguo ; vol. 2, no 12 (1921)].
    哈姆雷特 (Shak1, Publication)
  • Source: Tian, Han. Shashibiya ju yan chu zhi bian qian. In : Nan guo yue kan ; no 3 (July 1929). [Changes in staging Shakespeare]. (Shak325, Publication)
  • Source: Mao, Dun. Shashibiya yu xian shi zhu yi. In : Wen shi ; vol. 1, no 3 (1934). [Shakespeare and realism]. (Shak211, Publication)
  • Source: Zhang, Qihong. Zai shi jian he tan suo zhong de ji dian ti hui shi tan 'Weinisi Shangren' de dao yan chu li. In : Shashibiya yan jiu ; vol. 1 (1983). [Ideas from practice and exploration-rehearsal of The merchant of Venice]. (Shak292, Publication)
  • Source: Song, Qingru. Guan yu Zhu Shenghao yi shu Shashibiya hui gu. In : Shanghai "Gu dao shi qi" hui yi lu. Zhongguo she hui ke xue yuan, Wen xue yan jiu suo. (Beijing : Ren min wen xue chu ban she, 1986). [Recollection on Zhu Shenghao's translation of Shakespeare]. (Shak316, Publication)
  • Source: Jiang, Tao. Lun Zhongguo sha ju wu tai shang de dao yan yi shu. In : Xi ju ; no 3 (1996). [Directing arts of Shakespeare performance on the Chinese stage]. (Shak360, Publication)
2 2004 Levith, Murray J. Shakespeare in China. (London : Continuum, 2004). s. 65. Publication / Shak12
  • Source: Chen, Jia. Shashibiya zai li shi yu ju zhong suo liu lu de zheng zhi jian jie. In : Meng, Xianqian. Zhongguo Shashibiya pinglun. (Changchun: Jilin Jiaoyu Chubanshe, 1991). [Shakespeare's political views revealed in his historical plays].
    莎士比亚在历史剧中所流露的政治见解 (Shak247, Publication)
  • Cited by: Asien-Orient-Institut Universität Zürich (AOI, Organisation)
  • Person: Levith, Murray J.
  • Person: Shakespeare, William