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Chronology Entry

Year

1948

Text

[Shakespeare, William]. Liya wang. Sun Dayu yi. [King Lear. ID D23593].
Li Ruru : The question of how to translate Shakespeare's blank verse into Chinese fascinated Sun Dayu. Sun had been seeking a new style of Chinese poetry written in the vernacular. His ideal form would "consist of rhythm and must have rhythm, but it should neither rely on rhymes nor should it follow the strict prosodic rule of exact numbers of character in each line". He invented a new concept of 'yin zu' (sound group) for modern Chinese poetry, which was much inspired by the style of the Italian sonnet.
Murray J. Levith : Sun's 'Preface' discusses the almost insurmountable difficulty of translating Shakespeare into vernacular Chinese verse due to the vast differences between the English and Chinese languages. He states that accomplishing a 'perfect translation' would indeed be a 'miracle'. Sun invents a Chinese equivalent for Shakespeare's blank vers, 'yin zu' or 'sound unit', based upon phoneme groupings. His idea is that because vernacular Chinese words are often composed of two or three characters, which may be seen as akin to syllables, something approximating a five beat blank verse line can be suggested. Sun's desire is that his King Lear recreates the 'spirit' of the original play, which he feels is what Schlegel-Tieck accomplished with their famous German version.

Mentioned People (2)

Shakespeare, William  (Stratford-upon-Avon 1564-1616 Stratford-upon-Avon) : Dramatiker, Dichter

Sun, Dayu  (Shanghai 1905-1997) : Professor, Dichter, Übersetzer

Subjects

Literature : Occident : Great Britain

Documents (2)

# Year Bibliographical Data Type / Abbreviation Linked Data
1 2004 Levith, Murray J. Shakespeare in China. (London : Continuum, 2004). S. 13-14. Publication / Shak12
  • Source: Chen, Jia. Shashibiya zai li shi yu ju zhong suo liu lu de zheng zhi jian jie. In : Meng, Xianqian. Zhongguo Shashibiya pinglun. (Changchun: Jilin Jiaoyu Chubanshe, 1991). [Shakespeare's political views revealed in his historical plays].
    莎士比亚在历史剧中所流露的政治见解 (Shak247, Publication)
  • Cited by: Asien-Orient-Institut Universität Zürich (AOI, Organisation)
  • Person: Levith, Murray J.
  • Person: Shakespeare, William
2 2010 Li, Ruru. Hamlet in China : translation, interpretation and performance : http://web.mit.edu/shakespeare/asia/essays/RuruLi.html. Web / Shak13
  • Source: Dong, Run [Zhu, Dongrun]. Sha shi yue fu tan. In : Tai ping yang ; vol. 1, no 5-6, 8-9 (1917-1918). [Talks on Shakespeare's works]. (ZhuD1, Publication)
  • Source: Liang, Shiqiu. Hamuleite wen ti. In : Wen yi yu kan ; vol. 5, no 1 (1934). [The problems of Hamlet].
    哈 姆雷特问题 (Shak212, Publication)
  • Source: Xu, Shulun. Qing chu Shashibiya jie shao zhong de zi chan jie ji si xiang. In : Xi ju bao ; no 4 (1955). [Eliminate bourgeois thoughts in the introduction of Shakespeare]. (Shak246, Publication)
  • Source: Bian, Zhilin. Shashibiya de bei ju "Hamuleite". In : Wen xue yan jiu ji kan ; no 2 (Dec. 1957).
    莎 士比亞 大悲剧 哈姆雷特 (Shak260, Publication)
  • Source: Zhu, Hong. Xi fang guan yu Hamuleite dian xing de yi xie pin lun. In : Wen xue ping lun ; no 4 (1963). [Western commentaries on typical character of Hamlet]. (Shak264, Publication)
  • Source: Bian, Zhilin. Guan yu wo yi de Shashibiya 'Hamuleite' : wu shu you xu. In : Wai guo wen xue yan jiu ; no 1 (1980). [Re-introducing Shakespeare's Hamlet : an old preface with a new note]. (Shak291, Publication)
  • Cited by: Worldcat/OCLC (WC, Web)