(Jena 1914-1988 's-Gravenhage) : Kurator Metropolitan Museum of Art, New York, N.Y.
Name Alternative(s)
Lippe-Biesterfeld, Ernst Aschwin Georg Carol Heinrich Ignatz Prinz zur
Subjects
Art : General
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Art : Painting and Calligraphy
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Index of Names : Occident
Chronology Entries (1)
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1
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1954
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Ernst Aschwin zur Lippe-Biesterfeld reist nach Taiwan um Bilder für die Ausstellung Chinese art treasures in Washington D.C. auszuwählen.
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Document:
The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014).
[Enthält] :
Part I: Blending Chinese and Foreign Cultures
Chapter One ................................................................................................. 2
Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura
Aaron M. Rio
Chapter Two .............................................................................................. 23
Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting
Maria Kar-wing Mok
Chapter Three ............................................................................................ 44
"Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945
Clare Taylor
Chapter Four .............................................................................................. 65
"Chinese" Paintings by Zdenek Sklenar
Lucie Olivova
Part II: Envisioning Chinese Landscape Art
Chapter Five .............................................................................................. 88
Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting
Michelle Ying-ling Huang
Chapter Six .............................................................................................. 115
In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art
Minna Törmä
Chapter Seven .......................................................................................... 130
The Return of the Silent Traveller
Mark Haywood
Part III: Conceptualising Chinese Art through Display
Chapter Eight ........................................................................................... 154
Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture
Lenore Metrick-Chen
Chapter Nine ........................................................................................... 179
Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador
Michaela Pejcochova
Chapter Ten ............................................................................................. 200
The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America
Noelle Giuffrida
Part IV: Positioning Contemporary
Chinese Artists in the Globe
Chapter Eleven ........................................................................................ 228
Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities
Diana Yeh
Chapter Twelve ....................................................................................... 255
The Reception of Xing Danwen’s Lens-based Art Across Cultures
Silvia Fok
Chapter Thirteen ...................................................................................... 278
Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions
Elizabeth Kim S. 202.
(Huang1,
Publication)
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Bibliography (1)
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1
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1944
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Lippe-Biesterfeld, Ernst Aschwin. Li K'an und seine "Ausführliche Beschreibung des Bambus". (Berlin : de Gruyter, 1944). Diss. Univ. Berlin, 1944. [Li, Kan. Zhu pu xiang lu. 竹譜詳錄].
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Publication /
Lippe1
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