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1
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1946
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Exhibition of modern Chinese watercolours, British Council, London mit Xu Beihong, Zhang Daqian und Huang Junbi.
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Document:
The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014).
[Enthält] :
Part I: Blending Chinese and Foreign Cultures
Chapter One ................................................................................................. 2
Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura
Aaron M. Rio
Chapter Two .............................................................................................. 23
Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting
Maria Kar-wing Mok
Chapter Three ............................................................................................ 44
"Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945
Clare Taylor
Chapter Four .............................................................................................. 65
"Chinese" Paintings by Zdenek Sklenar
Lucie Olivova
Part II: Envisioning Chinese Landscape Art
Chapter Five .............................................................................................. 88
Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting
Michelle Ying-ling Huang
Chapter Six .............................................................................................. 115
In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art
Minna Törmä
Chapter Seven .......................................................................................... 130
The Return of the Silent Traveller
Mark Haywood
Part III: Conceptualising Chinese Art through Display
Chapter Eight ........................................................................................... 154
Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture
Lenore Metrick-Chen
Chapter Nine ........................................................................................... 179
Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador
Michaela Pejcochova
Chapter Ten ............................................................................................. 200
The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America
Noelle Giuffrida
Part IV: Positioning Contemporary
Chinese Artists in the Globe
Chapter Eleven ........................................................................................ 228
Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities
Diana Yeh
Chapter Twelve ....................................................................................... 255
The Reception of Xing Danwen’s Lens-based Art Across Cultures
Silvia Fok
Chapter Thirteen ...................................................................................... 278
Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions
Elizabeth Kim S. 105.
(Huang1,
Publication)
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Person:
Huang, Junbi
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Person:
Xu, Beihong
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2
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1953
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Ausstellung der Werke von Zhang Daqian im Musée nationale d’art moderne Paris. Er trifft Pablo Picasso und die beiden tauschen Bilder.
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Document:
Sullivan, Michael. The meeting of Eastern and Western art from the sixteenth century to the present day. (London : Thames and Hudson, 1973). [Rev. and expanded ed. (Berkeley, Calif. : University of California Press, 1989)].
https://archive.org/details/bub_gb_PMFwC1gP0BkC.
[Enthält] :
Some important dates in Far Eastern history since 1500.
Japan: the first phase, c.1550-1850.
China and European art, 1600-1800.
Europe and Chinese art, 1600-1800.
Japan: from the Meiji restoration of 1869 to the present day.
The revolution in Chinese art.
Europe and America: from 1850 to the present day.
Some reflections on the East-West dialogue. S. 198.
(Sul6,
Publication)
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Person:
Picasso, Pablo
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