# | Year | Text | Linked Data |
---|---|---|---|
1 | 2003 |
He, Chengzhou. Beikete : xi ju dui xiao shuo de gai xie [ID D30784]. He explores the relationship between Beckett's plays and fiction, arguing that Beckett's use of language, characterization, and symbolism in his plays can be traced to his fiction such as Trilogy ; in this sense, his plays can be seen as the rewriting of his fiction. |
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2 | 2004 |
He, Chengzhou. Beikete de yuan xi ju yan jiu [ID D30786]. He appeals to the concept of meta-theatre in the analysis of Waiting for Godot, Endgame, and Krapp's last tape, focusing on Beckett's development of 'a play within a play', 'self-reflexivity', and 'commentary of the play'. |
# | Year | Bibliographical Data | Type / Abbreviation | Linked Data |
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1 | 2003 |
He, Chengzhou. Beikete : xi ju dui xiao shuo de gai xie. In : Dang dai wai guo wen xue ; no 3 (2003). [Samuel Beckett and his rewriting of novels in plays]. 贝克特 : 戏剧对小说的改写 |
Publication / Beck40 | |
2 | 2004 |
He, Chengzhou. Beikete de yuan xi ju yan jiu. In : Dang dai wai guo wen xue ; no. 3 (2004). [A probe into Samuel Beckett's meta-theatre]. 贝克特的元戏剧研究 |
Publication / Beck42 | |
3 | 2004 |
He, Chengzhou. Henrik Ibsen and Modern Chinese Drama. (Oslo : Academic Press, 2004). Diss. Univ. of Oslo, 2001. http://www.ibseninchina.com.cn/wwwrootOriginal/Sample.pdf. |
Publication / Ibs25 |
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