Chronology Entries
| # | Year | Text |
|---|---|---|
| 1 | 1998 |
Aufführung von Waiting for Godot von Samuel Beckett im Zhen han ka fei ju chang = Hardhan Café Theatre in Shanghai, unter der Regie von Ren Ming des Beijing People's Art Theatre mit weiblichen Darstellern für Estragon und Vladmir.
Ren Ming retained a radically abridged version and punctuated it with interruptions by Pozzo ; and the monologue came in the form of a voice-over as Lucky, Pozzo's tame intellectual who performs on demand, was replaced by a fashion dummy. |
| 2 | 1998 |
Hou, Weirui. Yu zhen shi yu huang dan : shi lun Saimiaoer Beikete de huang dan [ID D30782].
Using Murphy, Watt, and Trilogy as examples, Hou points out the Beckett appeals to absurd narrative forms to dramatise the real existential conditions facing Westerners in the modernist era of civilization ; that is, Beckett sheds light on the reality ghrough the medium of absurdity. This esay became a pioneering example for the study of Beckett's fiction as absurdist. It offers a positive assessment of Beckett as a fiction writer : 'Just as the fictional works of Joyce have changed the fate of modernist fiction, the fictional works of Beckett have cast a decided influence on post-war fiction. |
| 3 | 1998-2012 |
Kenneth Dean ist Miglied des Editorial Board von Traces : an interlingual journal of literary and cultural critique.
|
| 4 | 1998 |
Yang, Yuehua. Cong dui li zou xiang dui hua [ID D31606].
Yang offers an interpretation of the different gender principles and the metaphorical significance of androgyny through analysis of the three major characters, Mr. and Mrs. Ramsay and Lily Briscoe. Yang states that 'Woolf's female principle and male principle refer to the pecular characteristics each of human sexes possesses. Yang claims that Mrs. Ramsay's female principle is the female virtue and temperament. It can influence not only women but also men and, to some extent, excels the male principle approved by social convention. Mr. Ramsay is the representative of the male principle, who, as an obstinate, rigid and self-centered authority, is indifferent to the sufferings of his wife and children, and only concerned with his pursuit of absolute philosophical truth in terms of reason and logic. Yang believes that 'The third part of the novel indicates that with the passage of time and the test of the disaster the confrontation changed to dialogue and integration. Moreover, this dialogue and integration were established on the basis of restoration of the female principle. He concludes that 'The transition of the androgynous painter Lily Briscoe from a letter character to a major one reveals profoundly the progress of the masculine and feminine powers in an individual from imbalance to balance and integration as well, bringing her creative talent into full play'. |
| 5 | 1998 |
Fang, Cheng. Genre study of New England trilogy : The scarlet letter, The house of the seven gables, and the Blithedale romance. [ID D35037].
Fang Cheng's study is the most profound piece of genre research in China, investigating the Hawthornesque romance. He argues that the romance is not merely a genre classification or the writer's personal preference. It is the product of the author's constant self-fashioning in his arduous negotiation with 'literary fame' and 'political emolument', as well as the harsh conditions necessary for survival in the nascent American market. Fang examines genre formation in relation to literary self-fashioning in The scarlet letter, explores ideological self-fashionin in The house of the seven gables, and finally deals with the literary marketplace in The Blithedale romance. |
| 6 | 1998-1999 |
Roberto Ciarla ist Project manager des Sichuan Province Cultural Heritage Strategic Master Plan.
|
| 7 | 1998-2000 |
Giovanni Stary ist Associate Professor of Manchu language and literature der Università di Venezia.
|
| 8 | 1998-2004 |
Guido Samarani ist Mitglied / Vicepresidente / Presidente der Historical Society for 20th century China.
|
| 9 | 1998-2000 |
Guido Samarani ist Gastprofessor International Center for the History of Republican China, Nanjing University.
|
| 10 | 1998-2002 |
Maria Rita Masci ist sinologische Expertin der Italienischen Botschaft in Beijing.
|
| 11 | 1998- |
Alessandra Cristina Lavagnino ist Mitglied des Comitato scientifico von Mondo cinese.
|
| 12 | 1998- |
Alessandra Cristina Lavagnino ist Dozentin für Lingua cinese der Università degli studi di Milano.
|
| 13 | 1998 |
Ruge, Gerd. Mit Gerd Ruge unterwegs in China. Dokumentation T. 1-3. [Reise vom Süden Chinas bis zum Amurfluss im Norden an der Grenze zu Sibirien].
|
| 14 | 1998 |
Biennale of Sydney Contemporary Art Exhibition with five Chinese artists.
|
| 15 | 1998-2001 |
Xing Danwen studiert an der School of Visual Arts New York, N.Y.
|
| 16 | 1998-2000 |
John Vivian Everard ist Political and Economic Counsellor der britischen Botschaft in Beijing.
|
| 17 | 1998-2000 |
David Warren ist Head of Hong Kong / China Department, Foreign and Commonwealth Office.
|
| 18 | 1998-2002 |
Kurt Leonberger ist Generalkonsul des deutschen Generalkonsulats in Shanghai.
|
| 19 | 1998 |
Chi Haotian empfängt Adolf Ogi mit einer Begrüssungszeremonie in Beijing.
|
| 20 | 1998 |
Konzerte des Zürcher Kammerorchester in Beijing, Kunming und Shanghai.
|