Chronology Entry
Year
1934
Text
Ausstellung mit Liu Haisu, Henri Matisse und Pablo Picasso in Paris. Vi Kyuin Wellington Koo nimmt daran teil.
Mentioned People (4)
Koo, Vi Kyuin Wellington
(Shanghai 1888-1985 New York, N.Y.) : Diplomat, Minister für auswärtige Angelegenheiten
Liu, Haisu
(1896-1994) : Maler, Erzieher
Matisse, Henri
(Le Cateau-Cambrésis 1869-1954 Nizza) : Maler, Graphiker, Bildhauer
Picasso, Pablo
(Malaga 1881-1973 Mougins, Frankreich) : Maler, Graphiker, Bildhauer
Subjects
Art : Painting and Calligraphy
Documents (1)
| # | Year | Bibliographical Data | Type / Abbreviation | Linked Data |
|---|---|---|---|---|
| 1 | 2014 |
The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014). [Enthält] : Part I: Blending Chinese and Foreign Cultures Chapter One ................................................................................................. 2 Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura Aaron M. Rio Chapter Two .............................................................................................. 23 Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting Maria Kar-wing Mok Chapter Three ............................................................................................ 44 "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945 Clare Taylor Chapter Four .............................................................................................. 65 "Chinese" Paintings by Zdenek Sklenar Lucie Olivova Part II: Envisioning Chinese Landscape Art Chapter Five .............................................................................................. 88 Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting Michelle Ying-ling Huang Chapter Six .............................................................................................. 115 In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art Minna Törmä Chapter Seven .......................................................................................... 130 The Return of the Silent Traveller Mark Haywood Part III: Conceptualising Chinese Art through Display Chapter Eight ........................................................................................... 154 Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture Lenore Metrick-Chen Chapter Nine ........................................................................................... 179 Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador Michaela Pejcochova Chapter Ten ............................................................................................. 200 The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America Noelle Giuffrida Part IV: Positioning Contemporary Chinese Artists in the Globe Chapter Eleven ........................................................................................ 228 Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities Diana Yeh Chapter Twelve ....................................................................................... 255 The Reception of Xing Danwen’s Lens-based Art Across Cultures Silvia Fok Chapter Thirteen ...................................................................................... 278 Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions Elizabeth Kim S. 189. |
Publication / Huang1 |