Year
1963
Text
Wu, Xinghua. Weinisi shang ren [ID D24003].
Shen Fu : Wu's picture of the bourgeois Shakespearenas' view of the dramatist suggests that they wrongly see the artist as 'like the God of Creation, within or behind or above his creation'. Wu then asserts that his research proves that Shakespeare's work confirms the Marxist theory of art and literature by showing that the work is, in fact, a product of the class struggle. His analysis starts with a comparison between Shakespeare's text of The merchant of Venice and its source, the Italian Il pecorone. The noncommercial elements in the play reflect Shakespeare's bourgeois role in the class struggle. Though Wu sees Shakespeare as a bourgeois apologist, in some senses he also sees him as an artist who stood above the period.
Mentioned People (2)
Subjects
Literature : Occident : Great Britain
Documents (1)
# |
Year |
Bibliographical Data |
Type / Abbreviation |
Linked Data |
1
|
1988
|
Shen, Fan. Shakespeare in China : The merchant of Venice. In : Asian theatre journal ; vol. 5, no 1 (1988).
|
Publication /
Shak34
|
-
Source:
Wu, Xinghua. Weinishi shang ren : chong tu yu jie jue. In : Wen xue ping lun ; no 3 (1963). [The merchant of Venice : conflicts and their solutions].
威 尼斯商人
(Shak335,
Publication)
-
Source:
Zhang, Qihong. Rang shang di jiang lin ren jian : zai Zhongguo Shashibiya yan jiu hui cheng li da hui shang de fa yan. In : Qing nian yi shu ; no 1 (1985). [Let god descend to the human world : a speech to the first convention of the Chinese Society for Shakespearean Research].
(Shak303,
Publication)
-
Cited
by: Asien-Orient-Institut Universität Zürich
(AOI,
Organisation)
|