# | Year | Text | Linked Data |
---|---|---|---|
1 | 1997 |
Shu, Xiaomei. Shi lun Beikete xi ju zuo pin zhong di shi kong jie gou [ID D30779]. Shu argues that Beckett's plays surpassed the traditional temporal and spatial designs by making time opaque, circular, and disorderly, and my making the locations obscure, abstract and symbolic. |
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2 | 1997 |
Shu, Xiaomei. Shi hua dui chen huang dan : Beikete Deng dai Geduo xi ju yu yan zhu yao te zheng [ID D30781]. Shu shows that the language of Beckett's plays exhibits a poetic quality and tendencies towards symmetry and absurdity. |
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3 | 2002 |
Shu, Xiaomei. Dian ying yu yan zai Beikete ju zuo zhong di yun yong cong zui hou yi pan lu yin dai tan qi [ID D30783]. Shu provides an analysis of how Beckett makes use of three montage techniques of narrative – parallel, intersection, and repetition – in order to emphasise the play as 'pure theatre' and anti-theatre. |
# | Year | Bibliographical Data | Type / Abbreviation | Linked Data |
---|---|---|---|---|
1 | 1997 |
Shu, Xiaomei. Shi lun Beikete xi ju zuo pin zhong di shi kong jie gou. In : Wai guo wen xue yan jiu ; no 2 (1997). [The temporal and spatial structures in the works of Samuel Beckett]. 试论贝克特戏剧作品中的时空结构 |
Publication / Beck35 | |
2 | 1997 |
Shu, Xiaomei. Shi hua dui chen huang dan : Beikete Deng dai Geduo xi ju yu yan zhu yao te zheng. In : Wai guo wen xue yan jiu ; no. 2 (1997). [Poeticization, symmetry, and absurdity : the dramatic language in Waiting for Godot von Samuel Beckett]. 诗化对称荒诞 : 贝克特等待戈多戏剧语言的主要特征 |
Publication / Beck37 | |
3 | 2002 |
Shu, Xiaomei. Dian ying yu yan zai Beikete ju zuo zhong di yun yong cong zui hou yi pan lu yin dai tan qi. In : Nanjing shi da xue xue bao ; no. 2 (2002). [The cinematic language in Beckett's plays : Krapp's last tape]. 电影语言在贝克特剧作中的运用从最后一盘录音带谈起 |
Publication / Beck39 |