Chronology Entries
| # | Year | Text |
|---|---|---|
| 1 | 2000 |
Gründung des Department of Asian Studies an der University of North Carolina.
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| 2 | 2000 ca. |
Zhou Wenchong ist Botschafter der chinesischen Botschaft in Australien.
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| 3 | 2000 |
Ausstellung von Ian Howard Surface tensions in der Central Academy of Fine Arts in Beijing.
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| 4 | 2000 |
Eine australische Geschäftsleute-Delegation unter Mark Vaile, mit Robert Hill besucht Guangzhou, Hong Kong, Macao, Beijing und Kunming. Vaile und Shi Guangsheng unterschreiben das Beitritts Dokument zur WTO.
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| 5 | 2000 |
Eine Hong Kong Delegation unter Anson Chan besucht Australien um Hong Kong als Destination für die Olympischen Spiele zu fördern.
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| 6 | 2000 |
Ausstellung von Farbfotos australischer Landschaften in der Central Academy of Fine Arts in Beijing.
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| 7 | 2000-2002 |
Xin bian Meiguo wen xue shi [ID D30668].
The chapter of Steinbeck provides new information and divides Steinbeck's career into four periods, emphasizing the second period from 1936 to 1939 with the tgrilogy about workers, and acknowledging two important works in his last period from 1953 to 1968, Sweet Thursday and The winter of our discontent. For the first time in Chinese criticism, Steinbeck is related to California and the myths of the frontier in the West. Also for the first time is East of Eden discussed in some detail. The writer believes that the theme of the novel is a continuation of Steinbeck's central concern in his writing career – the results of the American dream. He also points out that Steinbeck's experimentation with narrative technique is worthy of our special attention. The winter of our discontent is seen more as an exploration of the relationship between language and morality than as a story of its own. |
| 8 | 2000 |
Yan, Kui. Duoen [John Donne] jie'ai zhong di yuan xing yi xiang [ID D30997].
Discusses Donne's use of round images in ValMourn in terms of Copernican cosmology and Donne's idea of a circular life. Argues that the poem is a philosophical inquiry into man's general identity against the background of cosmic reconstruction. Maintains that this study helps to explain the beauty of the images in the poem as well as Donne's unique position in English literature. |
| 9 | 2000-2005 |
Lisa Rofel ist Mitglied des Executive Board der Society for Cultural Anthropology.
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| 10 | 2000 |
Heiligsprechung von Jean-Pierre Néel durch Papst Johannes Paul II.
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| 11 | 2000-2003 |
Yang Guirong ist Botschafter der chinesischen Botschaft in Valletta, Malta.
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| 12 | 2000-2004 |
Monika Motsch ist Leiterin des Sinologischen Seminars der Friedrich-Wilhelms-Universität Bonn.
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| 13 | 2000- |
Julia K. Murray ist Mitglied des Religious Studies Program der University of Wisconsin, Madison.
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| 14 | 2000-2001 |
Victor Nee ist Visiting Scholar am Department of Sociology der Harvard University.
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| 15 | 2000- |
Paul W. Kroll ist Mitglied des Board of Directors der American Oriental Society.
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| 16 | 2000- |
Alain Arrault ist Mitglied der Ecole française d'Extrême-Orient.
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| 17 | 2000- |
Roger T. Ames ist Mitglied des Editorial Board von Chinese studies in philosophy.
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| 18 | 2000 |
Eröffnung des Chinesisch-Deutschen Zentrums für Wissenschaftsförderung in Beijing.
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| 19 | 2000 |
Aufführung von Shei sha si le gua wang = Adaptation von Hamlet von William Shakespeare durch die Shanghai Thatre Academy nach dem Drehbuch von Cao Lusheng unter der Regie von Gu Yian.
Li Ruru : The focus of this production was passion : the passion between man and woman, and the passion for power. The adapters drew their inspiration from Hamlet's phrase "To be, or not to be", but because there is no exact equivalent for "to be" in Chinese, they decided on a more sensational Chinese title with the literal meaning "Who kills the king". The king at the center of the story is Hamlet's father, but in this adaptation the king's three closest relatives, his brother, wife and son, are each planning to poison him. |
| 20 | 2000 |
Dwight H. Perkins ist Honorary Research Professor an der Shanghai Academy of Social Sciences.
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